Side view of Hôtel de Ville

Hôtel de Ville

The Hôtel de Ville (City Hall) in Paris, France, is the building housing the city's local administration. Standing on the place de l'Hôtel-de-Ville (formerly place de Grève) in the city's IVe arrondissement, it has been the location of the municipality of Paris since 1357. It serves multiple functions, housing the local administration, the Mayor of Paris (since 1977), and also serves as a venue for large receptions.

History

In July 1357, Étienne Marcel, provost of the merchants (i.e. mayor) of Paris, bought the so-called maison aux piliers ("House of Pillars") in the name of the municipality on the gently sloping shingle beach which served as a river port for unloading wheat and wood and later merged into a square, the Place de Grève (French for "Square of the Strand"), a place where Parisians often gathered, particularly for public executions. Ever since 1357, the City of Paris's administration has been located on the same location where the Hôtel de Ville stands today. Before 1357, the city administration was located in the so-called parloir aux bourgeois ("Parlour of Burgesses") near the Châtelet.

In 1533, King Francis I decided to endow the city with a city hall which would be worthy of Paris, then the largest city of Europe and Christendom. He appointed two architects: Italian Dominique de Cortone, nicknamed Boccador because of his red beard, and Frenchman Pierre Chambiges. The House of Pillars was torn down and Boccador, steeped in the spirit of the Renaissance, drew up the plans of a building which was at the same time tall, spacious, full of light and refined. Building work was not finished until 1628 during the reign of Louis XIII.

During the next two centuries, no changes were made to the edifice which was the stage for several famous events during the French Revolution (notably the murder of the last provost of the merchants Jacques de Flesselles by an angry crowd on 14 July 1789 and the coup of 9 Thermidor Year II when Robespierre was shot in the jaw and arrested in the Hôtel de Ville with his followers). Eventually, in 1835, on the initiative of Rambuteau, préfet of the Seine département, two wings were added to the main building and were linked to the facade by a gallery, to provide more space for the expanded city government. The architects were Étienne-Hippolyte Godde and Jean-Baptiste Lesueur.

During the Franco-Prussian War, the building played a key role in several political events. On 30 October 1870, revolutionaries broke into the building and captured the Government of National Defence, while making repeated demands for the establishment of a communard government. The existing government was "rescued" by soldiers who broke into the Hôtel de Ville via an underground tunnel built in 1807, which still connects the Hôtel de Ville with a nearby barracks. On 18 January 1871, crowds gathered outside the building to protest against speculated surrender to the Prussians, and were dispersed by soldiers firing from the building, who inflicted several casualties. The Paris Commune chose the Hôtel de Ville as its headquarters, and as anti-Commune troops approached the building, Communards set fire to the Hôtel de Ville destroying almost all extant public records from the French Revolutionary period. The blaze swallowed the building from the inside, leaving only an empty stone shell.

Reconstruction

Reconstruction of City Hall lasted from 1873 through 1892 (19 years) and was directed by architects Théodore Ballu and Édouard Deperthes, who had won the public competition for the building's reconstruction. Ballu also designed the Church of La Trinité in the 9th arrondissement and the belfry of the town hall of the 1st arrondissement, opposite the Louvre's east facade. He also restored the Saint-Jacques Tower, a Gothic church tower in a square 150 metres to the west of the Hôtel de Ville.

The architects rebuilt the interior of the Hôtel de Ville within the stone shell that had survived the fire. While they rebuilt Hôtel de Ville –from the outside– a copy of the 16th-century French Renaissance building that stood before 1871, the new interior was based on an entirely new design, with ceremonial rooms lavishly decorated in the 1880s style.

The central ceremonial doors under the clock are flanked by allegorical figures of Art, by Laurent Marqueste, and Science, by Jules Blanchard. Some 230 other sculptors were commissioned to produce 338 individual figures of famous Parisians on each facade, along with lions and other sculptural features. The sculptors included prominent academicians like Ernest-Eugène Hiolle and Henri Chapu, but easily the most famous was Auguste Rodin. Rodin produced the figure of the 18th-century mathematician Jean le Rond d'Alembert, finished in 1882.

The statue on the garden wall on the south side is of Étienne Marcel, the most famous holder of the post of prévôt des marchands (provost of the merchants) which predated the office of mayor. Marcel was lynched in 1358 by an angry mob after trying to assert the city's powers too energetically.

The decor featured murals by the leading painters of the day, including Raphaël Collin, Jean-Paul Laurens, Puvis de Chavannes, Henri Gervex, Aimé Morot and Alfred Roll. Most can still be seen as part of a guided tour of the building.

Political venue

Since the French Revolution, the building has been the scene of a number of historical events, notably the proclamation of the French Third Republic in 1870 and the famous speech by Charles de Gaulle on 25 August 1944 during the Liberation of Paris when he greeted the crowd from a front window.

The Hôtel de Ville was for many years the fief of Jacques Chirac, France's president from 1995 until May 2007, and was the site of a scandal centering on both illegal jobs given to Chirac's party members and an extravagant entertainment budget.

The current mayor, Bertrand Delanoë, a socialist and the city's first openly gay leader, shares some of Marcel's ambition and almost shared his fate. He was stabbed in the building in 2002 during the first all-night, city-wide Sleepless Night (Nuit Blanche) festival when the doors of the long-inaccessible building were thrown open to the public. But Delanoë recovered and has not lost his zeal for access, later converting the mayor's sumptuous private apartments into a crèche (day nursery) for the children of municipal workers.

See: wikipedia

Backside of Notre Dame de Paris

Notre Dame de Paris

Notre-Dame de Paris, also known as Notre-Dame Cathedral or simply Notre-Dame, is a historic Catholic cathedral on the eastern half of the Île de la Cité in the fourth arrondissement of Paris, France. The cathedral is widely considered to be one of the finest examples of French Gothic architecture and among the largest and most well-known church buildings in the world. The naturalism of its sculptures and stained glass are in contrast with earlier Romanesque architecture.

As the cathedral of the Archdiocese of Paris, Notre-Dame is the parish that contains the cathedra, or official chair, of the archbishop of Paris, currently Cardinal André Vingt-Trois. The cathedral treasury is notable for its reliquary which houses some of Catholicism's most important first-class relics including the purported Crown of Thorns, a fragment of the True Cross, and one of the Holy Nails.

In the 1790s, Notre-Dame suffered desecration during the radical phase of the French Revolution when much of its religious imagery was damaged or destroyed. An extensive restoration supervised by Eugène Viollet-le-Duc began in 1845. A project of further restoration and maintenance began in 1991.

Architecture

Notre-Dame de Paris was among the first buildings in the world to use the flying buttress (arched exterior supports). The building was not originally designed to include the flying buttresses around the choir and nave but after the construction began, the thinner walls (popularized in the Gothic style) grew ever higher and stress fractures began to occur as the walls pushed outward. In response, the cathedral's architects built supports around the outside walls, and later additions continued the pattern.

Many small individually crafted statues were placed around the outside to serve as column supports and water spouts. Among these are the famous gargoyles, designed for water run-off, and chimeras. The statues were originally colored as was most of the exterior. The paint has worn off, but the gray stone was once covered with vivid colors. The cathedral was essentially complete by 1345. The cathedral has a narrow climb of 387 steps at the top of several spiral staircases; along the climb it is possible to view its most famous bell and its gargoyles in close quarters, as well as having a spectacular view across Paris when reaching the top. The design of St. Peter's Anglican Cathedral in Adelaide, Australia was inspired by Notre-Dame de Paris.

Construction history

In 1160, because the church in Paris had become the "Parisian church of the kings of Europe", Bishop Maurice de Sully deemed the previous Paris cathedral, Saint-Étienne (St Stephen's), which had been founded in the 4th century, unworthy of its lofty role, and had it demolished shortly after he assumed the title of Bishop of Paris. As with most foundation myths, this account needs to be taken with a grain of salt; archeological excavations in the 20th century suggested that the Merovingian Cathedral replaced by Sully was itself a massive structure, with a five-aisled nave and a facade some 36m across. It seems likely therefore that the faults with the previous structure were exaggerated by the Bishop to help justify the rebuilding in a newer style. According to legend, Sully had a vision of a glorious new cathedral for Paris, and sketched it on the ground outside the original church.

To begin the construction, the bishop had several houses demolished and had a new road built in order to transport materials for the rest of the cathedral. Construction began in 1163 during the reign of Louis VII, and opinion differs as to whether Sully or Pope Alexander III laid the foundation stone of the cathedral. However, both were at the ceremony in question. Bishop de Sully went on to devote most of his life and wealth to the cathedral's construction. Construction of the choir took from 1163 until around 1177 and the new High Altar was consecrated in 1182 (it was normal practice for the eastern end of a new church to be completed first, so that a temporary wall could be erected at the west of the choir, allowing the chapter to use it without interruption while the rest of the building slowly took shape). After Bishop Maurice de Sully's death in 1196, his successor, Eudes de Sully (no relation) oversaw the completion of the transepts and pressed ahead with the nave, which was nearing completion at the time of his own death in 1208. By this stage, the western facade had also been laid out, though it was not completed until around the mid-1240s. Over the construction period, numerous architects worked on the site, as is evidenced by the differing styles at different heights of the west front and towers. Between 1210 and 1220, the fourth architect oversaw the construction of the level with the rose window and the great halls beneath the towers.

The most significant change in design came in the mid 13th century, when the transepts were remodeled in the latest Rayonnant style; in the late 1240s Jean de Chelles added a gabled portal to the north transept topped off by a spectacular rose window. Shortly afterwards (from 1258) Pierre de Montreuil executed a similar scheme on the southern transept. Both these transept portals were richly embellished with sculpture; the south portal features scenes from the lives of St Stephen and of various local saints, while the north portal featured the infancy of Christ and the story of Theophilus in the tympanum, with a highly influential statue of the Virgin and Child in the trumeau.

See: wikipedia

Palais du Luxembourg

Luxembourg Palace

The Luxembourg Palace in the 6th arrondissement of Paris, north of the Luxembourg Garden, is the seat of the French Senate.

The formal Luxembourg Garden presents a 25-hectare green parterre of gravel and lawn populated with statues and provided with large basins of water where children sail model boats. In the southwest corner, there is an orchard of apple and pear trees and the théâtre des marionnettes (puppet theatre).

Early history

The palace was built as a royal residence for Marie de Médicis, mother of king Louis XIII of France and of Gaston, duc d'Orléans, just near the site of an old hôtel particulier owned by François-Henri de Montmorency, duc de Piney-Luxembourg, which is now called the Palais du Petit-Luxembourg, home of the president of the French Senate.

Marie de Médicis desired to make a building similar to her native Florence's Palazzo Pitti, and to this effect had the main architect Salomon de Brosse send architect Clément Metézeau to Florence to obtain drawings. Marie de Médicis bought the structure and its fairly extensive domain in 1612 and commissioned the new building, which she referred to as her Palais Médicis, in 1615. Its construction and furnishing formed her major artistic project, though nothing remains today of the interiors as they were created for her, save some architectural fragments reassembled in the Salle du Livre d'Or. The suites of paintings she commissioned, in the subjects of which she expressed her requirements through her agents and advisors, are scattered among museums.

Marie de Médicis installed her household in 1625, while work on interiors continued. The apartments in the right wing on the western side were reserved for the Queen and the matching suite to the east, for her son, Louis XIII, when he was visiting.

A series of twenty-four triumphant canvases commissioned from Peter Paul Rubens were installed in the Galerie de Rubens on the main floor of the western wing. A series of paintings executed for her Cabinet doré ("gilded study") was identified by Anthony Blunt in 1967. Construction was finished in 1631; the Queen Mother was forced from court shortly after, following the "Day of the Dupes" in November 1631. Louis XIII commissioned further decorations for the Palace from Nicolas Poussin and Philippe de Champaigne.

In 1642, Marie bequeathed the Luxembourg to her second and favourite son, Gaston d'Orléans, who called it the Palais d'Orléans, but by popular will it was still known by its original name.

Upon Gaston's death, the palace passed to his widow, Marguerite de Lorraine, then to his elder daughter by his first marriage, Anne, duchesse de Montpensier, La Grande Mademoiselle. In 1660, Anne de Montpensier sold the Luxembourg to her younger half-sister, Élisabeth Marguerite d'Orléans, duchesse de Guise who, in turn, gave it to her cousin, king Louis XIV, in 1694.

In 1715, the palace became the residence of Marie Louise Elisabeth d'Orleans, Duchess of Berry (1695-1719). The widowed Duchess was notoriously promiscuous, having the reputation of a French Messalina, relentlessly driven by her unquenchable thirst for all pleasures of the flesh. The Luxembourg palace and its gardens thus became stages where the radiantly beautiful princess acted out her ambitions, enthroned like a queen surrounded by her court. In some of her more exclusive parties, Madame de Berry also played the leading part in elaborate "tableaux-vivants" that represented mythological scenes and in which she displayed her appetizing young person impersonating Venus or Diana. According to various satirical songs which scurrilously evoked her amours „the Lady of the Luxembourg” hid several pregnancies, shutting herself up from society when about to give birth. Her taste for strong liquors and her sheer gluttony also scandalised the court. On 21 May 1717, Madame de Berry received Peter the Great at the Luxembourg. She welcomed the visiting Tsar splendidly dressed in a magnificent sack-back gown which showcased her voluptuous bosom as well as her mischievous face but also helped conceal her growing corpulence for she was then in an "interesting condition".

On 28 February 1718, the Duchess of Berry threw a magnificent party for her visiting aunt, the Duchess of Lorraine. The entire palace and its gardens were elaborately illuminated. The lavish banquet was followed by a masked ball. Madame de Berry made a dazzling appearance before her guests. She was then in the full splendor of her youthful beauty and pride and acted as if she were the very incarnation of the goddess of love, mirth, beauty and sensual pleasures. However, just over one year after this magnificent moment of festive glory, the Luxembourg palace became the stage of a shameful tragicomedy which ended in the harrowing demise of the haughty princess. The tempestuous life of Madame de Berry, the "Venus of the Luxembourg Palace", soon met a premature end. On 2 April 1719, after a grueling four-day labour, shut up in a small room of her palace, the young widow was delivered of a stillborn baby-girl, supposedly fathered by her lieutenant of the guards, the Count of Riom. Ill-prepared by her debauchery and raucous behavior, Berry's delivery was extremely troublesome and almost killed her. The Church refused her the Sacraments thus adding moral infamy to the physical tortures of the labouring woman. Saint-Simon wrote a very sarcastic description of this scandalous childbirth. Hoping to regain her health and undeceive the public that she had been confined, Madame de Berry left Paris and the Luxembourg palace. She died in her castle at La Muette on 21 July 1719 and, according to Saint-Simon, was found to be again pregnant.

In 1750, the palace became a museum—the forerunner of the Louvre—, and was open two days a week until 1779. In 1778, the palace was given to the comte de Provence by his brother Louis XVI. During the French Revolution, it was briefly a prison, then the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic..

Palace as parliament

From 1799 to 1805 the architect Jean Chalgrin transformed the palace into a legislative building. He demolished the grand central staircase (escalier d'honneur), replacing it with a senate chamber on the first floor, which incorporated and destroyed Marie de Médicis' chapel on the garden side of the corps de logis. Chalgrin also enclosed the flanking terraces, making space for a library. At the same time he created a neo-classical escalier d'honneur in the west wing, a single monumental flight enclosed by an ionic colonnade and covered with a coffered barrel vault, the construction of which resulted in the destruction of the long gallery that had formerly housed the cycle of paintings by Rubens.

Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.

The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences (inspired by the Galerie d'Apollon of the Louvre), which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.

During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital.

His subordinate, Luftwaffe Field Marshal Hugo Sperrle, was also given an apartment in the Luxembourg palace, and spent most of the war enjoying the luxurious surroundings. "The Field Marshal's craving for luxury and public display ran a close second to that of his superior, Goering; he was also his match in corpulence", wrote armaments minister Albert Speer after a visit to Sperrle in Paris.

The palace was a designated "strong point" for German forces defending the city in August 1944, but thanks to the decision of Commanding General Dietrich von Choltitz to surrender the city rather than fight, the palace was only minimally damaged.

From 29 July to 15 October 1946, the Luxembourg Palace was the site of the talks of Paris Peace Conference.

See: wikipedia

Jardin du Luxembourg

Jardin du Luxembourg

The Jardin du Luxembourg, or the Luxembourg Gardens, is the second largest public park in Paris (22.5 hectares) located in the 6th arrondissement of Paris, France. The park is the garden of the French Senate, which is itself housed in the Luxembourg Palace.

History

In 1611, Marie de Medicis, the widow of Henry IV and the regent for the King Louis XIII decided to build a palace in imitation of the Pitti Palace in her native Florence. She purchased the hotel du Luxembourg (today the Petit-Luxembourg palace) and began construction of the new palace. She commissioned Salomon de Brosse to build the palace and a fountain, which still exists. In 1612 she planted 2,000 elm trees, and directed a series of gardeners, most notably Tommaso Francini, to build a park in the style she had known as a child in Florence. Francini planned two terraces with balustrades and parterres laid out along the axis of the chateau, aligned around a circular basin. He also built the Medici Fountain to the east of the palace as a nympheum, an artificial grotto and fountain, without its present pond and statuary. The original garden was just eight hectares in size.

In 1630 she bought additional land and enlarged the garden to thirty hectares, and entrusted the work to Jacques Boyceau de la Barauderie, the indendant of the royal gardens of Tuileries and the early garden of Versailles. He was one of the early theorists of the new and more formal garden à la française, and he laid out a series of squares along an east-west alley closed at the east end by the Medici Fountain, and a rectangle of parterres with broderies of flowers and hedges in front of the palace. In the center he placed an octagonal basin with a fountain, with a perspective toward what is now the Paris observatory.

Later monarchs largely neglected the garden. In 1780, the Comte de Provence, the future Louis XVIII, sold the eastern part of the garden for real estate development. Following the French Revolution, however, the leaders of the French Directory expanded the garden to forty hectares by confiscating the land of the neighboring religious order of the Carthusian monks. The architect Jean Chalgrin, the architect of the Arc de Triomphe, took on the task of restoring the garden. He remade the Medici Fountain and laid out a long perspective from the palace to the observatory. He preserved the famous pepiniere, or nursery garden of the Carthusian order, and the old vineyards, and kept the garden in a formal French style.

During and after the July Monarchy of 1848, the park became the home of a large population of statues; first the Queens and famous women of France, lined along the terraces; then, in 1880s and 1890s, monuments to writers and artists, a small-scale model by Bartholdi of his Statue of Liberty and one modern sculpture by Zadkine.

In 1865, during the reconstruction of Paris by Louis Napoleon, the rue de l'Abbé de l'Épée, (now rue Auguste-Comte) was extended into the park, cutting off about fifteen hectares, including the old nursery garden. The building of new boulevards also required moving and rebuilding the Medici Fountain to its present location.

During this reconstruction, the director of parks and promenades of Paris, Gabriel Davioud, built new ornamental gates and fences around the park, and polychrome brick garden houses. He also transformed what remained of the old Chartreux nursery garden, at the south end of the park, into an English garden with winding paths, and planted a fruit garden in the southwest corner. He kept the regular geometric pattern of the paths and alleys, but did create one diagonal alley near the Medici fountain which opened a view of the Pantheon.

The garden in the late nineteenth century contained a marionette theater, a music kiosk. greenhouses, an apiary or bee-house; an orangerie also used for displaying sculpture and modern art (used until the 1930s); a rose garden, the fruit orchard, and about seventy works of sculpture.

Features

The garden is largely devoted to a green parterre of gravel and lawn populated with statues and centred on a large octagonal basin of water, with a central jet of water; in it children sail model boats. The garden is famed for its calm atmosphere. Surrounding the bassin on the raised balustraded terraces are a series of statues of former French queens, saints and copies after the Antique. In the southwest corner, there is an orchard of apple and pear trees and the théâtre des marionnettes (puppet theatre). The gardens include a large fenced-in playground for young children and their parents and a vintage carousel. In addition, free musical performances are presented in a gazebo on the grounds and there is a small cafe restaurant nearby, under the trees, with both indoor and outdoor seating from which many people enjoy the music over a glass of wine. The orangerie displays art, photography and sculptures.

The central axis of the garden is extended, beyond its wrought iron grill and gates opening to rue Auguste Comte, by the central esplanade of the rue de l'Observatoire, officially the Jardin Marco Polo, where sculptures of the four Times of Day alternate with columns and culminate at the southern end with the 1874 "Fountain of the Observatory", also known as the "Fontaine des Quatre-Parties-du-Monde" or the "Carpeaux Fountain", for its sculptures by Jean-Baptiste Carpeaux. It was installed as part of the development of the avenue de l'Observatoire by Gabriel Davioud in 1867.

The bronze fountain represents the work of four sculptors: Louis Vuillemot carved the garlands and festoons around the pedestal, Pierre Legrain carved the armillary with interior globe and zodiac band; the animalier Emmanuel Fremiet designed the eight horses, marine turtles and spouting fish. Most importantly Jean-Baptiste Carpeaux sculpted the four nude women supporting the globe, representing the Four Continents of classical iconography.

Open hours for the Luxembourg Garden depend on the month: opening between 7:30 and 8:15 am; closing at dusk between 4:45 and 9:45 pm.

See: wikipedia

Arc de Triomphe de l'Étoile

Arc de Triomphe

The Arc de Triomphe de l'Étoile is one of the most famous monuments in Paris. It stands in the centre of the Place Charles de Gaulle (originally named Place de l'Étoile), at the western end of the Champs-Élysées. It should not be confused with a smaller arch, the Arc de Triomphe du Carrousel, which stands west of the Louvre. The Arc de Triomphe (in English: "Triumphal Arch") honours those who fought and died for France in the French Revolutionary and the Napoleonic Wars, with the names of all French victories and generals inscribed on its inner and outer surfaces. Beneath its vault lies the Tomb of the Unknown Soldier from World War I.

The Arc de Triomphe is the linchpin of the historic axis (Axe historique) – a sequence of monuments and grand thoroughfares on a route which goes from the courtyard of the Louvre, to the Grande Arche de la Défense. The monument was designed by Jean Chalgrin in 1806, and its iconographic program pitted heroically nude French youths against bearded Germanic warriors in chain mail. It set the tone for public monuments, with triumphant patriotic messages.

The monument stands 50 metres in height, 45 m wide and 22 m deep. The large vault is 29.19 m high and 14.62 m wide. The small vault is 18.68 m high and 8.44 m wide. It was the largest triumphal arch in existence until the construction of the Arch of Triumph in Pyongyang, in 1982. Its design was inspired by the Roman Arch of Titus. The Arc de Triomphe is built on such a large scale that three weeks after the Paris victory parade in 1919 (marking the end of hostilities in World War I), Charles Godefroy flew his Nieuport biplane through it, with the event captured on newsreel.

History

The Arc is located on the right bank of the Seine at the centre of a dodecagonal configuration of twelve radiating avenues. It was commissioned in 1806 after the victory at Austerlitz by Emperor Napoleon at the peak of his fortunes. Laying the foundations alone took two years and, in 1810, when Napoleon entered Paris from the west with his bride Archduchess Marie-Louise of Austria, he had a wooden mock-up of the completed arch constructed. The architect, Jean Chalgrin, died in 1811 and the work was taken over by Jean-Nicolas Huyot. During the Bourbon Restoration, construction was halted and it would not be completed until the reign of King Louis-Philippe, between 1833 and 1836, by the architects Goust, then Huyot, under the direction of Héricart de Thury. On 15 December 1840, brought back to France from Saint Helena, Napoleon's remains passed under it on their way to the Emperor's final resting place at the Invalides. Prior to burial in the Panthéon, the body of Victor Hugo was exposed under the Arc during the night of 22 May 1885.

The sword carried by the Republic in the Marseillaise relief broke off on the day, it is said, that the Battle of Verdun began in 1916. The relief was immediately hidden by tarpaulins to conceal the accident and avoid any undesired ominous interpretations. On 7 August 1919, Charles Godefroy successfully flew his biplane under the Arc. Jean Navarre was the pilot who was tasked to make the flight, but he died on 10 July 1919 when he crashed near Villacoublay while training for the flight.

Following its construction, the Arc de Triomphe became the rallying point of French troops parading after successful military campaigns and for the annual Bastille Day Military Parade. Famous victory marches around or under the Arc have included the Germans in 1871, the French in 1919, the Germans in 1940, and the French and Allies in 1944 and 1945. A United States postage stamp of 1945 shows the Arc de Triomphe in the background as victorious American troops march down the Champs-Élysées and U.S. airplanes fly overhead on 29 August 1944. After the interment of the Unknown Soldier, however, all military parades (including the aforementioned post-1919) have avoided marching through the actual arch. The route taken is up to the arch and then around its side, out of respect for the tomb and its symbolism. Both Hitler in 1940 and de Gaulle in 1944 observed this custom.

By the early 1960s, the monument had grown very blackened from coal soot and automobile exhaust, and during 1965–1966 it was cleaned through bleaching.

In the prolongation of the Avenue des Champs-Élysées, a new arch, the Grande Arche de la Défense, was built in 1982, completing the line of monuments that forms Paris's Axe historique. After the Arc de Triomphe du Carrousel and the Arc de Triomphe de l'Étoile, the Grande Arche is the third arch built on the same perspective.

The design

The astylar design is by Jean Chalgrin (1739–1811), in the Neoclassical version of ancient Roman architecture (see, for example, the triumphal Arch of Titus). Major academic sculptors of France are represented in the sculpture of the Arc de Triomphe: Jean-Pierre Cortot; François Rude; Antoine Étex; James Pradier and Philippe Joseph Henri Lemaire. The main sculptures are not integral friezes but are treated as independent trophies applied to the vast ashlar masonry masses, not unlike the gilt-bronze appliqués on Empire furniture. The four sculptural groups at the base of the Arc are The Triumph of 1810 (Cortot), Resistance and Peace (both by Antoine Étex) and the most renowned of them all, Departure of the Volunteers of 1792 commonly called La Marseillaise (François Rude). The face of the allegorical representation of France calling forth her people on this last was used as the belt buckle for the honorary rank of Marshal of France. Since the fall of Napoleon (1815), the sculpture representing Peace is interpreted as commemorating the Peace of 1815.

In the attic above the richly sculptured frieze of soldiers are 30 shields engraved with the names of major Revolutionary and Napoleonic military victories. The inside walls of the monument list the names of 660 people, among which are 558 French generals of the First French Empire; the names of those who died in battle are underlined. Also inscribed, on the shorter sides of the four supporting columns, are the names of the major victorious battles of the Napoleonic Wars. The battles that took place in the period between the departure of Napoleon from Elba to his final defeat at Waterloo are not included.

There was at the top of the Arc from 1882 to 1886, a monumental sculpture by Alexandre Falguière, "Le triomphe de la Révolution" (the Triumph of the Revolution), a chariot drawn by horses preparing "to crush Anarchy and Despotism", that remained only four years up there before falling in ruins.

Inside the monument, a new permanent exhibition conceived by the artist Maurice Benayoun and the architect Christophe Girault opened in February 2007. The steel and new media installation interrogates the symbolism of the national monument, questioning the balance of its symbolic message during the last two centuries, oscillating between war and peace.

See: wikipedia

Place de la Concorde

Place de la Concorde

The Place de la Concorde is one of the major public squares in Paris, France. Measuring 8.64 hectares in area, it is the largest square in the French capital. It is located in the city's eighth arrondissement, at the eastern end of the Champs-Élysées.

History

The Place was designed by Ange-Jacques Gabriel in 1755 as a moat-skirted octagon between the Champs-Élysées to the west and the Tuileries Garden to the east. Decorated with statues and fountains, the area was named Place Louis XV to honor the king at that time. The square showcased an equestrian statue of the king, which had been commissioned in 1748 by the city of Paris, sculpted mostly by Edmé Bouchardon, and completed by Jean-Baptiste Pigalle after the death of Bouchardon.

At the north end, two magnificent identical stone buildings were constructed. Separated by the rue Royale, these structures remain among the best examples of Louis Quinze style architecture. Initially, the eastern building served as the French Naval Ministry. Shortly after its construction, the western building became the opulent home of the Duc d'Aumont. It was later purchased by the Comte de Crillon, whose family resided there until 1907. The famous luxury Hôtel de Crillon, which currently occupies the building, took its name from its previous owners; it was the headquarters of the German High Command during World War II.

French Revolution

During the French Revolution the statue of Louis XV of France was torn down and the area renamed "Place de la Révolution". The new revolutionary government erected the guillotine in the square, and it was here that King Louis XVI was executed on 21 January 1793.

Other important figures guillotined on the site, often in front of cheering crowds, were Queen Marie Antoinette, Princess Élisabeth of France, Charlotte Corday, Madame du Barry, Georges Danton, Camille Desmoulins, Antoine Lavoisier, Maximilien Robespierre, Louis de Saint-Just and Olympe de Gouges.

The guillotine was most active during the last part of the "Reign of Terror", in the summer of 1794, when in a single month more than 1,300 people were executed. A year later, when the revolution was taking a more moderate course, the guillotine was removed from the square.

In 1795, under the Directory, the square was renamed Place de la Concorde as a gesture of reconciliation after the turmoil of the French Revolution. After the Bourbon Restoration of 1814, the name was changed back to Place Louis XV, and in 1826 the square was renamed Place Louis XVI. After the July Revolution of 1830 the name was returned to Place de la Concorde and has remained since.

See: wikipedia

Avenue des Champs-Élysées

Champs-Élysées

The Avenue des Champs-Élysées is a street in Paris, France. With its cinemas, cafés, luxury specialty shops and clipped horse-chestnut trees, the Champs-Élysées is arguably one of the world's most famous streets, and is one of the most expensive strips of real estate in the world. Several French monuments are also on the street, including the Arc de Triomphe and the Place de la Concorde. The name is French for Elysian Fields, the place of the blessed dead in Greek mythology. According to a much used description, the Champs-Élysées is la plus belle avenue du monde ("the most beautiful avenue in the world").

Description

The avenue runs for 1.91 km through the 8th arrondissement in northwestern Paris, from the Place de la Concorde in the east, with the Obelisk of Luxor, to the Place Charles de Gaulle (formerly the Place de l'Étoile) in the west, location of the Arc de Triomphe. The Champs-Élysées forms part of the Axe historique.

One of the principal tourist destinations in Paris, the lower part of the Champs-Élysées is bordered by greenery (Carré Marigny) and by buildings such as the Théâtre Marigny and the Grand Palais (containing the Palais de la Découverte). The Élysée Palace is slightly to the north, but not on the avenue itself. Further to the west, the avenue is lined with cinemas, cafés and restaurants, and luxury specialty shops. The Champs-Élysées ends at the Arc de Triomphe, built to honour the victories of Napoleon Bonaparte.

History

The Champs-Élysées was originally fields and market gardens, until 1616, when Marie de' Medici decided to extend the axis of the Tuileries Garden with an avenue of trees. The avenue was transformed by the landscape architect André Le Nôtre in 1667 according to the wishes of Louis XIV. It was commissioned in 1670 and was then called "Grand Cours" (the Great Course) and wouldn’t take the name of Champs-Élysées until 1709. As late as 1716, Guillaume Delisle's map of Paris shows that a short stretch of roads and fields and market garden plots still separated the grand axe of the Tuileries gardens from the planted "Avenue des Thuilleries," which was punctuated by a circular basin where the Rond-point des Champs-Élysées stands today; already it was planted with some avenues of trees to the Seine river through woods and fields. In 1724, the Tuileries Garden axis and the avenue were connected and extended, leading beyond the Place de l'Étoile; the "Elysian Fields" were open parkland flanking it, soon filled in with bosquets of trees formally planted in straight rank and file. To the east, the unloved and neglected "Vieux Louvre" (as it is called on the maps), still hemmed in by buildings, was not part of the axis. In a map of 1724, the Grande Avenue des Champs-Elisée stretches west from a newly cleared Place du Pont Tournant soon to be renamed for Louis XV and now the Place de la Concorde.

By the late 18th century, the Champs-Élysées had become a fashionable avenue; the bosquet plantings on either side had thickened enough to be given formal rectangular glades (cabinets de verdure). The gardens of houses built along the Faubourg Saint-Honoré backed onto the formal bosquets. The grandest of them was the Élysée Palace. A semicircle of house-fronts now defined the north side of the Rond-Point. The avenue from the Rond-Point to the Étoile was built up during the Empire. The Champs-Élysées itself became city property in 1828, and footpaths, fountains, and gas lighting were added. Over the years, the avenue has undergone numerous transitions, most recently in 1994, when the sidewalks were widened.

The Champs-Élysées, because of its size and proximity to several Parisian landmarks such as the Arc de Triomphe, has been the site of several notable military parades, the most infamous being the march of German troops celebrating the Fall of France on 14 June 1940, and the two most famous, the subsequent marches of Free French and American forces after the liberation of the city, respectively, the French 2nd Armored Division on 26 August 1944, and the U.S. 28th Infantry Division on 29 August 1944.

Premier offices and retail

In 1860, the merchants along the Avenue joined together to form the Syndicat d'Initiative et de Défense des Champs-Élysées, changed to an association in 1916 to promote commercially the Avenue. In 1980, the group changed its name to the Comité des Champs-Élysées and to "Comité Champs-Élysées" in 2008. It is the oldest standing committee in Paris. The committee has always dedicated itself to seeking public projects to enhance the Avenue's unique atmosphere, and to lobby the authorities for extended business hours and to organizing special events. Today, the committee, in coordination with other professional organisations, may review with the Parisian administration the addition to the Avenue of new businesses whose floor area would exceed 1000 square meters.

Because of the high rents, few people live on the Champs-Élysées; the upper stories tend to be occupied by offices. Rents are particularly high on the north side of the Avenue, because of better exposure to sunlight. The baroque-influenced regular architecture of the grandiose Champs-Élysées is typical of the Haussmann boulevard architecture of the Second Empire and Third Republic. The Avenue is located right next to the Palais de l'Élysée, the presidential palace, with its rounded gate, and the Grand Palais, erected in the late 19th century. While walking among the gardens and tree-lined promenades one can even encounter an open-air marionette theatre for children, a French tradition popular through the ages.

The Avenue is also one of the most famous streets in the world for upscale shopping. Adidas, Benetton, the Disney Store, Nike, Zara, H&M, Cartier, Bel Air Fashion, Toyota, continental Europe's largest Gap, and Sephora occupy major spaces. Traditionally home to popular brands, as well as luxury brands Louis Vuitton, Hugo Boss, Lancel, Guerlain, Lacoste, Hôtel de la Païva, Élysée Palace and Fouquet's, the Avenue des Champs-Élysées confirms its world-class appeal as a prime real estate location: it has lately seen the opening of new big upscale shops such as the biggest Adidas store in the world.

The arrival of global chain stores in recent years has strikingly changed its character, and in a first effort to stem these changes, the City of Paris (which has called this trend "banalisation") initially decided in 2007 to prohibit the Swedish clothing chain H&M from opening a store on the Avenue; however, a large H&M store opened two years later at 88 Champs-Élysées. In 2008, American clothing chain Abercrombie & Fitch was given permission to open a store.

Events

Every year on Bastille Day on 14 July, the largest military parade in Europe passes down the Champs-Élysées, reviewed by the President of the Republic.

Every year during Advent, Christmastide, and Epiphany, the 'Champs-Élysées' Committee contribute for the Holidays seasons lighting of the Champs-Élysées. This generally occurs from late November until early January. The 2007 lighting of the Champs-Élysées was very successful, with lighting tubes which acted like snow falling from the trees.

Since 1975, the last stage of the Tour de France has finished on the Champs-Élysées, with riders typically making six to eight circuits back and forth on the avenue, with a furious final sprint. The subsequent awards ceremony also takes place directly on the Avenue.

Huge and spontaneous gatherings occasionally take place on the Champs-Élysées in celebration of popular events, such as New Year's Eve, or when France won the 1998 FIFA World Cup. The Champs-Élysées has been the site of numerous large political protest gatherings, like those connected to the 2002 Presidential election.

The avenue was also the site of the 1855 Exposition Universelle.

See: wikipedia

Obélisque de Louxor

Luxor Obelisk

The Luxor Obelisk is a 23 metre high Egyptian obelisk standing at the center of the Place de la Concorde in Paris, France. It was originally located at the entrance to Luxor Temple, in Egypt.

History

Two 3,300-year-old twin obelisks once marked the entrance to the Luxor Temple. Muhammad Ali Pasha, the Wali and self-proclaimed Khedive of Egypt, offered the two obelisks to France as a gift in 1829.

Sphinx towing the barge Louqsor ferrying the Louqsor Obelisk to France

In August 1832, the French paddle ship Sphinx sailed to Alexandria to rendezvous there with the barge Louqsor, which was to load the Luxor Obelisk and bring it to Paris. Sphinx then towed Louqsor back to France. The ships departed on 1 April 1833 and reached Toulon on 10 May. The ships arrived at Cherbourg on 12 August 1833.

The first obelisk arrived in Paris on December 21, 1833. Three years later, on October 25, 1836, King Louis-Philippe of France had it placed in the center of Place de la Concorde.

Features

The obelisk, a yellow granite column, rises 23 metres (75 ft) high, including the base, and weighs over 250 metric tons (280 short tons). It is decorated with hieroglyphs exalting the reign of the king Ramses II.

Given the technical limitations of the day, transporting it was no easy feat: on the pedestal are drawn diagrams explaining the complex machinery that were used for the transportation. The obelisk is flanked on both sides by fountains constructed at the time of its erection on the Place.

Missing its original pyramidion (believed stolen in the 6th century BC), the government of France added a gold-leafed pyramid cap to the top of the obelisk in 1998.

See: wikipedia

Panorama of the river Seine as seen from Pont d'Arcole

Pont d'Arcole

The Pont d'Arcole is a bridge in Paris over the River Seine. It is served by the Metro station Hôtel de Ville.

History

The need for a bridge communicating between place de Grève (now Place de l'Hôtel-de-Ville) and the île de la Cité had been felt for years. Called the passerelle de Grève for the first two years of its life, its present name - according to the most generally accepted hypothesis - comes from the Battle of the Bridge of Arcole, in which Napoleon defeated the Austrians in 1796.

It was only in 1828 that a suspension bridge for pedestrians with two 6m-wide carriageways, supported from a central pier in midstream, was built by Marc Seguin. In 1854, with increased traffic due to the prolongation of the rue de Rivoli, it was replaced by a more substantial metal structure that could also be used by vehicular traffic. The pont d'Arcole was built to the plans of Alphonse Oudry (1819–1869), retired Ingénieur des Ponts et Chaussées and his partner Nicolas Cadiat; the structure was innovative in that it was the first unsupported bridge across the Seine to be made entirely in wrought iron rather than cast iron. The low arch, only lightly cambered, was also innovative, and on 16 February 1888 it suddenly sagged by 20 cm and had to be consolidated. It was only between 1994 and 1995 that the city council made overall repairs to the bridge's roadways, reviewing its waterproofing and paintwork at the same time.

The bridge is also historically notable in that it was over this bridge that the first tanks of Général Leclerc's 2nd Armored Division rolled on their way to the place de l'hôtel de ville during the Liberation of Paris in August 1944.

See: wikipedia

Seine

The Seine is a 776 km long river and an important commercial waterway within the Paris Basin in the north of France. It rises at Source-Seine, 30 kilometers northwest of Dijon in northeastern France in the Langres plateau, flowing through Paris and into the English Channel at Le Havre (and Honfleur on the left bank). It is navigable by ocean-going vessels as far as Rouen, 120 km (75 mi) from the sea. Over 60% of its length, as far as Burgundy, is negotiable by commercial riverboats and nearly its whole length is available for recreational boating; excursion boats offer sightseeing tours of the Rive Droite and Rive Gauche within the city of Paris.

There are 37 bridges within Paris and dozens more spanning the river outside the city. Examples in Paris include the Pont Louis-Philippe and Pont Neuf, the latter of which dates back to 1607. Outside the city, examples include the Pont de Normandie, one of the longest cable-stayed bridges in the world, which links Le Havre to Honfleur.

See: wikipedia

Basilique du Sacré-Cœur

Sacré-Cœur

The Basilica of the Sacred Heart of Paris, commonly known as Sacré-Cœur Basilica and often simply Sacré-Cœur, is a Roman Catholic church and minor basilica, dedicated to the Sacred Heart of Jesus, in Paris, France. A popular landmark, the basilica is located at the summit of the butte Montmartre, the highest point in the city. Sacré-Cœur is a double monument, political and cultural, both a national penance for the excesses of the Second Empire and socialist Paris Commune of 1871 crowning its most rebellious neighborhood, and an embodiment of conservative moral order, publicly dedicated to the Sacred Heart of Jesus, which was an increasingly popular vision of a loving and sympathetic Christ.

The Sacré-Cœur Basilica was designed by Paul Abadie. Construction began in 1875 and was finished in 1914. It was consecrated after the end of World War I in 1919.

The inspiration for Sacré Cœur's design originated on September 4, 1870, the day of the proclamation of the Third Republic, with a speech by Bishop Fournier attributing the defeat of France in the Franco-Prussian War of 1870 to a divine punishment after "a century of moral decline" since the French Revolution, in the wake of the division in French society that arose in the decades following that revolution, between devout Catholics and legitimist royalists on one side, and democrats, secularists, socialists and radicals on the other. This schism became particularly pronounced after the Franco-Prussian War and the ensuing uprising of the Paris Commune of 1870-71. Though today the Basilica is asserted to be dedicated in honor of the 58,000 who lost their lives during the war, the decree of the Assemblée nationale, 24 July 1873, responding to a request by the archbishop of Paris by voting its construction, specifies that it is to "expiate the crimes of the Commune". Montmartre had been the site of the Commune's first insurrection, and many dedicated communards were forever entombed in the subterranean galleries of former gypsum mines where they had retreated, by explosives detonated at the entrances by the Army of Versailles. Hostages had been executed on both sides, and the Communards had executed Georges Darboy, Archbishop of Paris, who became a martyr for the resurgent Catholic Church. His successor Guibert, climbing the Butte Montmartre in October 1872, was reported to have had a vision, as clouds dispersed over the panorama: "It is here, it is here where the martyrs are, it is here that the Sacred Heart must reign so that it can beckon all to come".

In the moment of inertia following the resignation of the government of Adolphe Thiers, 24 May 1873, François Pie, bishop of Poitiers, expressed the national yearning for spiritual renewal— "the hour of the Church has come"— that would be expressed through the "Government of Moral Order" of the Third Republic, which linked Catholic institutions with secular ones, in "a project of religious and national renewal, the main features of which were the restoration of monarchy and the defense of Rome within a cultural framework of official piety", of which Sacré-Cœur is the chief lasting triumphalist monument.

The decree voting its construction as a "matter of public utility", 24 July, followed close on Thiers' resignation. The project was expressed by the Church as a National Vow (Voeu national) and financial support came from parishes throughout France. The dedicatory inscription records the Basilica as the accomplishment of a vow by Alexandre Legentil and Hubert Rohault de Fleury, ratified by Joseph-Hippolyte Guibert, Archbishop of Paris. The project took many years to complete.

Construction

A law of public utility was passed to seize land at the summit of Montmartre for the construction of the basilica. Architect Paul Abadie designed the basilica after winning a competition over 77 other architects. With delays in assembling the property, the foundation stone was finally laid 16 June 1875. Passionate debates concerning the Basilica were raised in the Conseil Municipal in 1880, where the Basilica was called "an incessant provocation to civil war" and it was debated whether to rescind the law of 1873 granting property rights, an impracticable proposition. The matter reached the Chamber of Deputies in the summer of 1882, in which the Basilica was defended by Archbishop Guibert while Georges Clemenceau argued that it sought to stigmatise the Revolution. The law was rescinded, but the Basilica was saved by a technicality and the bill was not reintroduced in the next session. A further attempt to halt the construction was defeated in 1897, by which time the interior was substantially complete and had been open for services for six years.

The overall style of the structure shows a free interpretation of Romano-Byzantine features, an unusual architectural vocabulary at the time, which was a conscious reaction against the neo-Baroque excesses of the Palais Garnier, which was cited in the competition. Many design elements of the basilica symbolise nationalist themes: the portico, with its three arches, is adorned by two equestrian statues of French national saints Joan of Arc (1927) and King Saint Louis IX, both executed in bronze by Hippolyte Lefebvre; and the nineteen-ton Savoyarde bell (one of the world's heaviest), cast in 1895 in Annecy, alludes to the annexation of Savoy in 1860.

Abadie died not long after the foundation had been laid, in 1884, and five architects continued with the work: Honoré Daumet (1884–1886), Jean-Charles Laisné (1886–1891), Henri-Pierre-Marie Rauline (1891–1904), Lucien Magne (1904–1916), and Jean-Louis Hulot (1916–1924). The Basilica was not completed until 1914, when war intervened; the basilica was formally dedicated in 1919, after World War I, when its national symbolism had shifted

Construction costs, estimated at 7 million French francs and drawn entirely from private donations, were expended before any above-ground visible structure was to be seen. A provisional chapel was consecrated 3 March 1876, and pilgrimage donations quickly became the mainstay of funding. Donations were encouraged by the expedient of permitting donors to "purchase" individual columns or other features as small as a brick. It was declared by the National Assembly that the state had the ultimate responsibility for funding.

Muted echoes of the Basilica's "tortured history" are still heard, geographer David Harvey has noted. In February 1971 demonstrators pursued by the police took refuge in the Basilica and called upon their radical comrades to join them in occupying a church "built upon the bodies of communards in order to efface that red flag that had for too long floated over Paris" as their leaflets expressed it.

The Basilica

Sacré-Cœur is built of travertine stone quarried in Château-Landon (Seine-et-Marne), France. This stone constantly exudes calcite, which ensures that the basilica remains white even with weathering and pollution.

A mosaic in the apse, entitled Christ in Majesty, created by Luc-Olivier Merson, is among the largest in the world.

The basilica complex includes a garden for meditation, with a fountain. The top of the dome is open to tourists and affords a spectacular panoramic view of the city of Paris, which is mostly to the south of the basilica.

The use of cameras and video recorders is forbidden inside the Basilica.

See: wikipedia

Poisson Sirène (1990)

Alex Berdal (1945)

Bronze sculpture with brownish patina, signed Berdal, foundry stamp Candide Bronze d'Art Paris. Limited edition of 8 casts plus 4 artist's proofs. Sentence written on the work: "He dines with a sardine and chooses anchovies" ("Il fait son choix d'anchois et dîne d'une sardine").

"The theme of still life in sculpture is rare. It is treated here with delectation. Berdal makes objects he likes, connecting otherwise shapes alredy seen, diverting relieves, transforming objects."

"Curves, volumes organize themselves in a modelling syntax which harmony is never fortuitous, sublimate themselves in a Maternity figure or transform themselves in a Siren's wink."

See: devos

Montparnasse Cemetery

Cimetière du Montparnasse is a cemetery in the Montparnasse quarter of Paris, part of the city's 14th arrondissement.

History

Created from three farms in 1824, the cemetery at Montparnasse was originally known as Le Cimetière du Sud (Southern Cemetery). Cemeteries had been banned from Paris since the closure, owing to health concerns, of the Cimetière des Innocents in 1786. Several new cemeteries outside the precincts of the capital replaced all the internal Parisian ones in the early 19th century: Montmartre Cemetery in the north, Père Lachaise Cemetery in the east, and Montparnasse Cemetery in the south. At the heart of the city, and today sitting in the shadow of the Eiffel Tower, is Passy Cemetery.

Notes

Montparnasse Cemetery is the eternal home of many of France's intellectual and artistic elite as well as publishers and others who promoted the works of authors and artists. There are also monuments to police and firefighters killed in the line of duty in the city of Paris. There are also many graves of foreigners who have made France their home.

The cemetery is divided by Rue Émile Richard. The small section is usually referred to as the small cemetery (petit cimetière) and the large section as the big cemetery (grand cimetière).

Because of the many notable people buried there, it is a highly popular tourist attraction.

See: wikipedia

Avenues of Montparnasse Cemetery

Montparnasse Cemetery

Cimetière du Montparnasse is a cemetery in the Montparnasse quarter of Paris, part of the city's 14th arrondissement.

History

Created from three farms in 1824, the cemetery at Montparnasse was originally known as Le Cimetière du Sud (Southern Cemetery). Cemeteries had been banned from Paris since the closure, owing to health concerns, of the Cimetière des Innocents in 1786. Several new cemeteries outside the precincts of the capital replaced all the internal Parisian ones in the early 19th century: Montmartre Cemetery in the north, Père Lachaise Cemetery in the east, and Montparnasse Cemetery in the south. At the heart of the city, and today sitting in the shadow of the Eiffel Tower, is Passy Cemetery.

Notes

Montparnasse Cemetery is the eternal home of many of France's intellectual and artistic elite as well as publishers and others who promoted the works of authors and artists. There are also monuments to police and firefighters killed in the line of duty in the city of Paris. There are also many graves of foreigners who have made France their home.

The cemetery is divided by Rue Émile Richard. The small section is usually referred to as the small cemetery (petit cimetière) and the large section as the big cemetery (grand cimetière).

Because of the many notable people buried there, it is a highly popular tourist attraction.

See: wikipedia

The Genius of Eternal Sleep (Le Génie du Sommeil éternel) (1889)

Horace Daillion

Horace Daillion, born in 1854 in Paris, died in 1937, was a French sculptor.

See: wikipedia

Montparnasse Cemetery

Cimetière du Montparnasse is a cemetery in the Montparnasse quarter of Paris, part of the city's 14th arrondissement.

History

Created from three farms in 1824, the cemetery at Montparnasse was originally known as Le Cimetière du Sud (Southern Cemetery). Cemeteries had been banned from Paris since the closure, owing to health concerns, of the Cimetière des Innocents in 1786. Several new cemeteries outside the precincts of the capital replaced all the internal Parisian ones in the early 19th century: Montmartre Cemetery in the north, Père Lachaise Cemetery in the east, and Montparnasse Cemetery in the south. At the heart of the city, and today sitting in the shadow of the Eiffel Tower, is Passy Cemetery.

Notes

Montparnasse Cemetery is the eternal home of many of France's intellectual and artistic elite as well as publishers and others who promoted the works of authors and artists. There are also monuments to police and firefighters killed in the line of duty in the city of Paris. There are also many graves of foreigners who have made France their home.

The cemetery is divided by Rue Émile Richard. The small section is usually referred to as the small cemetery (petit cimetière) and the large section as the big cemetery (grand cimetière).

Because of the many notable people buried there, it is a highly popular tourist attraction.

See: wikipedia

Cenotaph for Charles Baudelaire

Charles Baudelaire

Charles Pierre Baudelaire (April 9, 1821 – August 31, 1867) was a French poet who also produced notable work as an essayist, art critic, and pioneering translator of Edgar Allan Poe. His most famous work, Les Fleurs du mal (The Flowers of Evil), expresses the changing nature of beauty in modern, industrializing Paris during the 19th century. Baudelaire's highly original style of prose-poetry influenced a whole generation of poets including Paul Verlaine, Arthur Rimbaud and Stéphane Mallarmé among many others. He is credited with coining the term "modernity" (modernité) to designate the fleeting, ephemeral experience of life in an urban metropolis, and the responsibility art has to capture that experience.

See: wikipedia

Montparnasse Cemetery

Cimetière du Montparnasse is a cemetery in the Montparnasse quarter of Paris, part of the city's 14th arrondissement.

History

Created from three farms in 1824, the cemetery at Montparnasse was originally known as Le Cimetière du Sud (Southern Cemetery). Cemeteries had been banned from Paris since the closure, owing to health concerns, of the Cimetière des Innocents in 1786. Several new cemeteries outside the precincts of the capital replaced all the internal Parisian ones in the early 19th century: Montmartre Cemetery in the north, Père Lachaise Cemetery in the east, and Montparnasse Cemetery in the south. At the heart of the city, and today sitting in the shadow of the Eiffel Tower, is Passy Cemetery.

Notes

Montparnasse Cemetery is the eternal home of many of France's intellectual and artistic elite as well as publishers and others who promoted the works of authors and artists. There are also monuments to police and firefighters killed in the line of duty in the city of Paris. There are also many graves of foreigners who have made France their home.

The cemetery is divided by Rue Émile Richard. The small section is usually referred to as the small cemetery (petit cimetière) and the large section as the big cemetery (grand cimetière).

Because of the many notable people buried there, it is a highly popular tourist attraction.

See: wikipedia

Grave of Sophie Marguerite Wallon and Paul A.J. Wallon

Paul Alexandre Joseph Wallon

Gender: male

Born: January 21, 1845, PARIS

Death: February 1st, 1918, PARIS

Occupation: Government Architect

Education: Ecole des Beaux Arts

See: wallon-pinault

Montparnasse Cemetery

Cimetière du Montparnasse is a cemetery in the Montparnasse quarter of Paris, part of the city's 14th arrondissement.

History

Created from three farms in 1824, the cemetery at Montparnasse was originally known as Le Cimetière du Sud (Southern Cemetery). Cemeteries had been banned from Paris since the closure, owing to health concerns, of the Cimetière des Innocents in 1786. Several new cemeteries outside the precincts of the capital replaced all the internal Parisian ones in the early 19th century: Montmartre Cemetery in the north, Père Lachaise Cemetery in the east, and Montparnasse Cemetery in the south. At the heart of the city, and today sitting in the shadow of the Eiffel Tower, is Passy Cemetery.

Notes

Montparnasse Cemetery is the eternal home of many of France's intellectual and artistic elite as well as publishers and others who promoted the works of authors and artists. There are also monuments to police and firefighters killed in the line of duty in the city of Paris. There are also many graves of foreigners who have made France their home.

The cemetery is divided by Rue Émile Richard. The small section is usually referred to as the small cemetery (petit cimetière) and the large section as the big cemetery (grand cimetière).

Because of the many notable people buried there, it is a highly popular tourist attraction.

See: wikipedia